Roman Antopolsky
Pittsburgh, Pennsylvania
Artist Roman Antopolsky explores the realm where images, words, and cognition emerge, conveying profound concepts through minimalist and abstract tradition. He simultaneously practices different types of creative expression and ensures each one influences the others. His process involves thoughtful contemplation, with breaks for alternative forms of engagement like playing the piano and translating poetry. This multifaceted approach allows him to return to the artwork with a fresh perspective, constantly evolving his compositions. Roman begins his painting with a black-and-white foundation, creating an initial design before meticulously considering the myriad possibilities of introducing color. “There is a series of endless decisions in my art, like a game of chess in which you are anticipating moves and possibilities; each new shape, shade, or stripe gives an entirely different meaning, leading into a new direction,” says Roman. He operates from his home studio, seamlessly integrating his artistic endeavors into his living spaces by scattering supplies throughout the house and working in different rooms based on the size or medium needed. In his spare time, Roman finds joy in walking, biking, and language learning.
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Artist Statement
Art arises not alone—it’s pushed to the surface by reality’s circumstances, the artist’s will, and an affinity with what we call the “future,” that is, something that is still becoming, not yet complete. I began painting and drawing as a way of inquiring into that very immaterial space from where images, words, thoughts as well as cognition, understanding, and social structures are drawn, that dimension of pre-awareness in which knowledge, meaning, power, shapes, structures become hegemonic, or not, and later articulated. Artistic expressions stem from and show into that space; they are inherently imperfect, not complete, and still open—the displaying of the object being shaped, the thought being constructed, and the rhythm being designed gains it's materiality and abundant limits and possibilities.
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