Georgio Morandi created a number of paintings over several decades called Natura Morta, Italian for still life. His 1940 oval-shaped Natura morta was acquired by prolific collectors David and Peggy Rockefeller. The painting is described as an arrangement of vessels that is self-contained, calm and orderly, removed from the burgeoning turmoil of the outside world.
David Rockefeller’s affinity for art was ingrained as a child, when his mother, Abigail (Abby) Greene Aldrich Rockefeller, helped establish New York’s Museum of Modern Art in 1929. Denied sufficient allowance by her husband, John D. Rockefeller, Jr. who discouraged her interest in Modern Art, Abby resourcefully turned to NY businessmen Anson Goodyear and Paul Sachs, among others, and various corporations to finance art acquisitions for the fledgling MoMA.
Born into privilege in 1874 as the daughter of Senator Nelson Wilmarth Aldrich, at age 20 Abby embarked on a European (and later Asian) journey. The first included stops in England, Belgium, the Netherlands, Germany, Austria, Italy, France, and Switzerland. In these countries her exposure to the great galleries of the world fostered a lifelong appreciation and patronage, her passion for art instilled in her children.